FIRST LITERARY REVIEW-EAST

Submissions Meet the Editor-in-Chief January 2018 March 2019 May/June 2021 Meet the Associate Editor July 2021 November 2019 January/February 2019 Book Review - Lyn Lifshin's "Ballroom" March 2020 September 2021 May 2020 Book Review: Amy Holman's Wrens Fly Through This Opened Window July/August 2018 Book Review: Kit Kennedy Reviews Heller Levinson September 2012 Book Review - Patricia Carragon Reviews Leigh Harrison November 2012 January 2020 March/April 2022 Book Review - Dean Kostos "Rivering" May 2013 Book Review: Hochman Reviews Ormerod Summer Issue 2013 September 2020 November/December 2018 McMaster Reviews Szporluk July/August 2014 November 2014 Book Review: Wright Reviews Gardner Stern Reviews Katrinka Moore May 2015 Hochman Reviews Ross July 2020 Tocco Reviews Simone September 2015 Simone Reviews Cefola May 2016 Bledsoe Reviews Wallace November 2016 January 2017 May 2017 Wehrman Reviews Dhar July 2017 September 2023 March 2024 May 2019 July 2019 September 2019 November 2023 March 2021 November 2021 WINTER 2022 Hochman Reviews Metras May 2022 November/December 2022 January/February 2023 March/April 2023 May 2023 July 2023 May/June 2024 July 2024 September 2024



 

 

THE DUET  

 

Tonight the city  

sky is clear, Orion has  

set  to the rhythms  

of a guitar duet on  

rooftop café, the streets are  

 

quiet of traffic,  

the plazas void of souls, and  

in this rooftop room,  

my fatigued soul sets, drifting  

on rhythms of that duet  

 

Lorraine Caputo is a wandering troubadour whose poetry appears in over 400 journals on six continents, and 23 collections of poetry – including In the Jaguar Valley (dancing girl press, 2023) and Caribbean Interludes (Origami Poems Project, 2022). She also authors travel narratives, articles and guidebooks. Her writing has been honored by the Parliamentary Poet Laureate of Canada (2011) and thrice nominated for the Best of the Net. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America with her faithful knapsack Rocinante, listening to the voices of the pueblos and Earth. Follow her adventures at www.facebook.com/lorrainecaputo.wanderer or https://latinamericawanderer.wordpress.com.  

 

 

DECEMBER 2010 - HAPPY HOLIDAYS!

Tis the season to be ... broke and stressed out! So take a break from the holiday shopping madness, grab a cup of eggnog, and let the magic of poetry revive you! Our gift to you: 12 glorious poems, one for each day of Christmas! And whether you are celebrating X-mas, Hanukkah, Kwanzaa, or none of the above, may all the joys of the season be yours! Again - a special thanks to Karen Neuberg for her editorial assistance - and her sweet friendship!

Answers    

 

 

 

 

because the hoods wore hoodies

because the hoods wore hoodies

& the cooks ate cookies

                                                              

                                                   -Bob Heman     

      

 

Bob Heman's small poems have appeared recently in NOON: journal of the short poem (Tokyo), Otoliths (Australia), Cannot Exist, House Organ, and Blueprint E-Zine. He edits CLWN WR.

 

 

 

************************************ 

Hieroglyphs

Words released
Birds hover
Their droppings perform magic
Lemon juice on disappearing ink
This dull and pointless note
A rusted knife left in an alley
The balloon sagging in your living room
Introspection

                                                          -Dd. Spungin

Doreen Spungin, who writes as Dd. Spungin, taught children with special needs in the New York City Schools and now serves her own needs by writing poetry. She is the host for Poets In Nassau On The Hillside. Her work has been published in Humanities/Aitia, Asbestos, Long Island Quarterly, and Brave Hearts, a publication for which she writes a monthly poem. She is involved with the Long Island Poets for Darfur commemorative program anthology. Her poetry will appear in the forthcoming anthologies: Writing Outside The Lines, Long Island Sounds 2010-2011, and Toward Forgiveness.

 ************************************ 

 

 

 

 

Dark Zen (for E.S.)

The sky is a pile of blue thread at my feet.

 

I am worried that I will not

grab something important before I evaporate.

 

You say grace, I say luck.

 

We walk noon-ward in the stubborn wind.

You look at me with can-opener eyes.

 

Prayers flutter to the ground

like propaganda dropped from warplanes.

 

For Christmas, give me fame and a sledgehammer.

                                                                           -John Amen

(From At the Threshold of Alchemy)

John Amen is the author of three collections of poetry: Christening the Dancer (Uccelli Press 2003), More of Me Disappears (Cross-Cultural Communications 2005), and At the Threshold of Alchemy (Presa 2009). In addition, his work has appeared in numerous publications nationally and internationally. He has released two folk/folk rock CDs: All I'll Never Need (Cool Midget 2004) and Ridiculous Empire (2008). He is also an artist, working primarily with acrylics on canvas. Further information is available on his website: www.johnamen.com. Amen travels widely giving readings, doing musical performances, and conducting workshops. He founded and continues to edit The Pedestal Magazine (www.thepedestalmagazine.com).

 

************************************ 

Experimental Theater

The sky across the World cries

of Death and Despair.

The crazyman on a forklift.

In a smaller room the Professor

and I share a commissary sandwich.

I understand none of this.

The curtain drops half way.

2 stagehands inch out.

(No one knows what's going on).

 

 

 

                                              

 

                                                   -Mark Sonnenfeld

 

Mark Sonnenfeld is an experimental writer, a collaborator, and a publisher. He is active in the international small press scene, having to his credit numerous chapbooks, broadsides, give-out sheets, and spoken-word sound collages on cassette and on compact disc. He is greatly inspired by The Beats and current innovative artforms. His work has appeared in a plethora of underground magazines, and in 2006 he was featured in an anthology of avant-garde American poets titled INSIDE THE OUTSIDE. His work is archived at more than a dozen U.S. university libraries, as well as sites in Europe and South America. In a recent article, Eric Greinke of Presa Press, said, "Sonnenfeld embodies the true spirit of the small press movement".

************************************  

Worry

Because it has a shimmer that hovers over everything, you take it for party wrap, place it on a small (the blue one) mirror on the shelf you can see from your bed. Looking at it from a downward angle, well . . . you have your visual infinity. What fun! You can run amok inside, always believing you'll find the one true way out. Meanwhile, you keep busy appearing as though you have purpose.

                                                       -Karen Neuberg

(Originally appeared in Wazee) 

Karen Neuberg's work has appeared or is forthcoming in many online and print journals and anthologies, including Barrow Street, Melusine, or Woman in the 21st Century, PoetryBay Magazine and Switched-on-Gutenberg. She is the author of the chapbook Detailed Still (Poets Wear Prada Press 2009), is a Pushcart and Best of the Net nominee, holds an MFA from the New School, and is associate editor of Inertia Magazine. Links to her work can be found at http://karenneuberg.blogspot.com/

 

 

 

 

 ************************************   

The Man on Lexington     

there he is

stoop stubble

laid back

rubble voices

talk to him

panoply loss

cacophony

crying womb

hear me

scrap books

like bugs

trash picks up

pay taxes

no rations

takes patience

                          

                               -Robert Gibbons

 

 

 

 

 

Robert Gibbons is a writer living in New York City.  He has published in Uphook, Stained Sheets, and Nomad's Choir.

 

 

 

************************************   

 

 

 

 

 

 

 

 

 

 

 

 

no equal

what i want is razor
edge cutting   not well crafted   polite;
don't need to see a bruise
but feel the wound
the blow that caused
what the poem is
trying to show
what i want is
the hot searing kiss
in a man's phone voice
burning inside when we talk
in his eyes when we meet
what drives voice: breath
without which there's no life;
all poems fail when it comes
to the touch of flesh

                                                -Linda Lerner

Linda Lerner was born and educated in New York City; her  next full-length collection will be published by New York Quarterly Books in the Spring, 2011. She’s published thirteen collections of poetry. The  most recent:  Something Is Burning In Brooklyn (2009, Iniquity Press/ Vendetta Books) Living In Dangerous Times (Presa Press, 2007)  and City Woman (March Street Press, Fall, 2006; the last two were Small Press Reviews’ Picks).  Her poems have recently been published in/ or will be in  the following journals: The New York Quarterly, Onthebus, Louisiana Review, Paterson Literary Review, Chiron Review, Tribes, Van Gogh’s Ear, Home Planet News & online in New Verse News & Rusty Truck, et al.

 ************************************

Made in Cambria

Language prevents visibility from failing

Language unpeels the immediacy

Ready to apologize for interrupting

Language speaks and having spoken

diagrams the phony traps of grammar

Velvet moss succession, language

greens the laws of mutual addition,

stitching the preamble into your dress

Full moon towing a white carcass

across the vault-cracked slate sky

Language appeals to second nature

Emily Brontë naked and braying

Why the art of writing is all ajangle

Look even the clerks of dust live for love

                                                          -Jeffrey Cyphers Wright

Jeffrey Cyphers Wright is a New Romantic sonneteer. He studied with Ted Berrigan and Alice Notley at St. Mark's Church. After studying with Allen Ginsberg (who wrote an introduction for his second book) at Brooklyn College, Wright received his MFA in poetry. Publisher and editor, he currently runs Live Mag! http:www.livemagnyc.com A column of Wright's poetry criticism called Rapid Transit appears regularly in The Brooklyn Rail. Wright's graffiti-based collages have been included in several group shows. He had a solo show at AC Institute in Chelsea in the Spring and will be at Turtle Point Press Gallery next Fall.

************************************

Her Heart is Like a River When it Starts to Rain

in the streets of town people begin to move a lot faster. a few umbrellas open up.
they resemble black hibiscus flowers. a businessman hurries by, he has his collar
turned up. a young man standing under a ledge bums a cigarette from another
man standing under the same ledge.

where are the pigeons? disappeared into the eaves i guess. and look! a few white
ducks, where'd they come from? they're walking down the middle of the street as
if they own the place. not much traffic in this town under normal circumstances.
you can't catch a cab in this town

not for love or money. both of which are in short supply to the woman at the
woollen shop. she is single again. she has cold hands. arranges a few skeins of
wool as she looks out through the plate glass window. she looks across the street.
she peers up into the sky between

raindrops. wonders should she close up shop. should she let the cat out? hopefully
the bridge outside town won't flood like it did last time. her heart is calm it goes
pitterpat. her heart is full to overflowing. she is capable of anything right now.
her heart is like a river when it starts to rain.

                                                                  -George Wallace

George Wallace is author of nineteen chapbooks of poetry and host of poetry events in New York City and Long Island. He teaches at Pace University and is writer in residence at the Walt Whitman Birthplace. He served as the first Poet Laureate of Suffolk County, and is the editor of several online and print journals, including PoetryBay , the Long Island Quarterly, and Walt's Corner in the Long Islander.

************************************

                                     Cruel Babylon

Thunder, cruel master, sounds far away,
           Ashes blow in the sky.
           Fear walks the street, cries ring out,
Filling the empty square.
Tremors move the land, the valley,
            Of death and desolation.
            Death walks the winding streets,
All is barren, all is lost.
Lava flows near, fires rise and dance,
           Ending desperate life.
           Hope slowly dies, life departs,
Death reaches out.
Red chariots fill the square, troops fire,
           Then fall back.
           Iron arrows fill the way, iron sharp,
Hard, and fleet.
                                                                     

                                                                            -Jerome Brooke 
(From Hunters of Dawn, available from Amazon Books)

Jerome Brooke was born in 1949. He now lives on the coast of Siam - Paradise. He has written Mirage : Dance of the Sun - and many other works - available from Amazon Books.

************************************

                 Atone

I breathe in what breathes me in
Creating nothing but clean presence,
While a tongue and chord for atoning
Mute history with a twist of perspective,
And stream thoughts so far away it's meaningless to think.
A star bursts in me and gathers a new star in me that bursts in me-
They are creations of time in my atoning,
And my walking changes land to water, then awareness, then our oneness.
In my death, I will not rise again
Because I have risen to a death
Where strings, with no end either way, desire no tuning.

                                                                     -Cliff Satriano

Cliff Satriano has been writing poetry for several years and is now putting together a book of poems with a mystical, imaginative bent.  He works full time at Dowling College's HEOP and teaches remedial English there.  He recently discovered Seamus Heaney and wonders how he missed such a gifted poet all these years.  [Editor's Note:  Mr. Satriano reports that this is his first publication - and FLRev is proud to present this fine poet to the world!]

************************************

That December

plum and jade
light, the
last strips
of frozen salmon
sucked into the
Berkshires. Deer
in the wood
pile, Hawthorne.
Your blueberry
sweater. Blue
eyes as stars
wrap us in
wings bright as
angels we made
in the snow of
sheets later

                               -Lyn Lifshin

 

Among Lyn Lifshin's recent books: THE LICORICE DAUGHTER: MY YEAR WITH RUFFIAN, Texas Review Press and from Black Sparrow at Godine: ANOTHER WOMAN WHO LOOKS LIKE ME, PERSEPHONE, BARBARO, BALLROOM. Her Web site is http://www.lynlifshin.com/.

************************************

Your Thoughts and Comments:

We are pleased to have received some nice feedback on poems in the November issue. Here is a sampling of your thoughts:

An anomymous reader writes:   PA [by George Held] is a satirical gem. I like the way the poem moves from quatrain to quatrain in three sentences, with interesting slant rhymes throughout. The analogy of versifying to drinking is cleverly done -- and convincing. The poem should be mandatory reading in all MFA programs.

Jerome Brooke, who has a poem in the current issue, commented on two poems, as follows:

Anish, City Girl

The girl answers the knock - warm, inviting, lips very soft, she holds the night in an embrace.  Was the girl on a date?  Did she see an old lover in the night?  The poem captures a sweet second of time, burned into memory.

Ivy, Tanka

The girl who has power to capture a lover.  The poet gives us a picture into the soul of a pretty girl.  Lady, with eyes that bind, take my soul, we will become one.

Editor's Note:  My thanks to all of our talented contributors.  Peace on earth, good will towards men, AND GREAT POETRY IN THE COMING YEAR - AMEN!